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U.S. Girls Back from Europe at DDG April 14

U.S. Girls’ (a.k.a. Meghan Remy a.k.a. Meghan Uremovich) songs contain that beautiful primal instinct inside man and in this case woman to make music. It’s that moment of inspiration by the first person to use a log or a couple of stones as an instrument to joyously express how he or she felt inside. It’s that dire need to create and invent separating the artists from the wannabes. So welcome Remy back from her 2-month jaunt through the U.K., Italy, France and Sweden tonight at Danger Danger Gallery with the always sinister Hot Guts, rockin’ My Mind and interstellar grooves of Mi Ami. You can catch up with her about all the hot topics that she might have missed on the road in Europe like flash mobs, healthcare reform and the recent step closer to the legalization of pot in Philly! Danger Danger Gallery, 5013 Baltimore Ave., 8pm, $5 - $10 donation, All Ages myspace.com/usgirlsss (Photo by Jessica Kourkounis from this week's City Paper cover story) - H.M. Kauffman
 

 

Blue Giant free April happy hour residency at Laurelthirst

 

The best 5 bucks you'll spend all week will be on a beer at the Laurelthirst...while Blue Giant is knocking the electric blues piss outta ya for free!

The band will be holding down a residency at the LaurelThrist Public House from 6 to 8 p.m. every Wednesday in April...

Wait, wait, wait. "What's a residency?" asked singer and country guitar slanger Kevin Robinson. Well, it's where you show up and play to the people that are already in the bar. Okay, that sounds pretty good to The Robinsons and Co. because Blue Giant will be trying out new material and jamming with old friends alongside their normal arsenal of slide and steel guitars, and anything that you can strum in between. Bring a mandolin or banjo.

But honestly, Blue Giant doesn't strum. Sometimes it's mellow and folky acoustic, sometimes slightly psychedelic. Lots of Southern twang with a fiddle here, then electric riffs and ass-kickin' harmonica there - Bringing It All Back Home-era Dylan.

"Got to pay your dues if you want to play the blues, you know it don't come easy," sings Kevin Robinson.

But it's damn easy to enjoy Blue Giant for free.

- Chris Young

From the Open Blog: Crooks

A country band in the original and truest sense of the term, you won'€™t find Crooks trafficking in piano bar anthems or boot scoot boogies. Not content to further clog CMT with radio-ready schmaltz, rural sentimentality, or nostalgia for a simpler time, these hounds are out to tree a different animal altogether. If you play a Crooks song backwards, you won'€™t get your dog, truck, and woman back. Though you might get your morality, humanity and sobriety. The good geologist, like the musicologist, knows that to unearth the best rock, one must look underground. And this holds just as true for outlaw country. So if you'€™re looking to wet your whistle in an undiscovered watering hole, give Crooks country a try. It'€™s just down the road apiece, off the well-worn path.

(this post taken from Crooks' post on our DIY Open Blog, check out other Open Blog posts in the Deli Kitchen. As for Crooks - check them out at Mohawk with James 'Slim' Hand, Friday, April 16th. Pic above by Davis Ayer)

Interview with Margaret Glaspy

margaret glaspy

Singer/songwriter, Margaret Glaspy came to Boston three years ago on a grant from the National Foundation for the Advancement of Arts. Since then, she’s been rocking the folk scene, regularly headlining at Club Passim, who has just given her an Iguana Music Award. As she settles into a Tuesday night residency at the Lizard Lounge for April, Glaspy talked to the Deli about the Boston scene, finding her voice as a songwriter and the power of acoustic music.

DELI: You come from California?

Margaret Glaspy: Red Bluff. It’s this tiny little town in northern California, kind of conservative and…interesting (laughs). We were definitely the weird family.

DELI: How so?

MG: It was definitely a small town vibe, lots of cattle and county fairs and rodeos and stuff…not that all that stuff isn’t great but we were kind of on a different path.

Read the whole interview by Jason Rabin HERE

Best of NYC #63b: Light Asylum

We continue our "Best of NYC Countdown", covering every day one of the artists that made our Year End Best of NYC list here (a chart compiled by a jury comprised of local bloggers, music writers, promoters, record sotre personnel and DJs). Many of the bands in this list will play The Deli's Best of NYC Fest in Williamsburg in May (6 shows in 3 different venues between the 13 and the 15).

Since in 2010 the 80s are officially the new 70s, in the upcoming years we can expect a lot of artists influenced by the sound of the most controversial of decades. Light Asylum present themselves as the answer to the re-emergence of "New Romantics" - who were rather reserved, black wearing types who danced to electro-goth tunes served by the likes of early Ultravox, Depeche Mode and - dare we say - Nick Kershaw. The band's sonic signature is so strongly grounded in the sound of the 80s that the word "revival" might seems appropriate here, although the Williamsburg duo's eerie vocals steer away from the more commercial and familiar stereotypes of the genre, referring instead to its darker and deeply troubled fathers like Diamanda Galas, Dead Can Dance and Bauhaus. Don't miss their intense live performances.

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